La Theorie Des Ensembles
by Juliette HAMON DAMOURETTE, Marc HERICHER and Jao M’CHANGAMA

Short Movie, duration 4’10

La Tête ailleurs by Paul Cabon.

Light Forms by Malcolm Sutherland

A short experimental floaty & aimless animation.
Soundtrack is also made by Malcolm Sutherland.

L' ONDÉE (RAINS)
by David COQUARD-DASSAULT

Directed by: David COQUARD-DASSAULT
Production: Folimage/ ONF-NFB/ Canal+
Music: Christophe HÉRAL
Year of production: 2008

The house that my father built (Once upon a time) by Sadik Kwaish Alfraji

Multimedia installation consisting of a painting 620 x 400 cm, several ready-mades, photograph, and an animation film projected on a 700 x 900 cm. surface.

Presented at Mathaf - Arab Museum of Modern Art, Doha, Qatar: Told, Untold, Retold, December 30, 2010 – May 28, 2011, curated by Sam Bardaouil and Till Fellrath.

"Highly Strung" by Dave Jones.

The performance of Highly Strung featuring the giant 14 meter puppet took place on the night of October 28th 2011 during the Nati Frinj festival. The puppet took ten people to operate and had animation (largely created by the children at the local primary school) projected onto it from projectors mounted both on the ground and in the head of the puppet itself. Music by Stephen Oakes

Filmed by, Jacqui Schulz, Dave Jones, Gareth Llewellin and Cindi Drennan
More on http://theartofdave.blogspot.com.au

"All the Question Marks Started to Sing" a new work by the Norwegian art collective Verdensteatret, was the opening event of FuturePerfect 2011.

FuturePerfect is new performance, media, art and technology initiative founded by Wayne Ashley, the former Director of Arts in Multimedia at Brooklyn Academy of Music (BAM). http://futureperfectfestival.org

"ALTNEULAND"
by SARIEL KESLASI.

"My graduation film at Bezalel Academy of Art & Design.
And this year (2013) it is displayed at the Annecy Festival and the Cannes short Film corner Festival.

You are welcome to watch.

The film is a subjective interpretation of the utopian novel, 'Altneuland' writen by Theodor Herzl. By using a surrealist allegory, the film tries to deal with the collapse of Herzl's dream and seeks to emphasize the sense of absurdity and instability..."