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Synthetic Music

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Projects filtered by tag "Synthetic Music". Click on any other tag button to switch the context, this project is currently in.


Ätschi

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8 Results

2019-10-31

INTERWORLDS - screengrab

INTERWORLDS - screengrab by Boris Chimp 504 (Rodrigo Carvalho + Miguel Neto)

"INTERWORLDS is an audiovisual installation where a composition of light, image and sound explores the intersections between a physical space and a virtual one. Therefore the audience can relate to the piece through the relation they build with a moving “audiovisual object”.

InterWorlds aims to make the public reflect on the relationship we currently have between the real and virtual world(s) and how increasingly the latter is present in our lives. InterWorlds can be understood as a portal to and from other worlds, a fine line between the real and the virtual, a synchronicity between this universe and [other] parallel worlds.

Realtime visuals made with VUO, sound on Ableton."

2019-04-25

DROP CITY

DROP CITY by Peter Burr

"I was there the other day. So weird wandering thru those deserted ripped-off structures that so much love & agony & labor went into building. There were ghosts behind every broken window & half-off-the-hinges door. Sad hippy ghost town with a pile of human shit deposited on the drainboard next to the sink. Too many rats packed into too small a space. I guess we'll go down & scrounge what we can." (Peter Rabbit on Drop City)

By Peter Burr
Music by John Also Bennett
Music: JAB - "Menu Music For Video Game" from the album Erg Herbe (Shelter Press, 2019)
Technical Direction and Artistic Collaboration by Mark Fingerhut
Technical Work and Artistic Collaboration by Oren Shoham

Contexts, viewpoints, visual axes
and changes of perspective

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2019-01-24

Listed in categories: audiovisual
Fits these moods: dark light sounds
Embraces these philosophies: art technology

Impulse [Martin Messier]

Impulse by Martin Messier

2018-10-25

Hovver - Liminal Scope

Hovver - Liminal Scope

by Chris Lunney and Katherine Brice

"Liminal Scope is an immersive light and sound installation, in which three rings frame the transit of light through space. The audiovisual score enmeshes harmonic frequencies, rhythmic motion, and gradients of color, orchestrating a narrative which navigates tension and release.

Our form of reality is mutually constructed by our perceptions along with their limitations. The installation's rings form an aperture that focuses and reveals a spatial quality of light, which usually remains unseen. Liminal Scope is a meditation on these perceptual limitations as they relate to our shared and individual perspectives on reality."

2016-03-31

Spheronization

Spheronization by Francesco Fabris

"Spheronization is based on the process of aggregation and dissipation between electronic and concrete sounds which are contaminating each others during all the track time.

Sound and visual elements are deeply connected and evolve in time within the aim of merging in just one shape. At the end the only solution is the creation of an agglomerate containing all the peculiarities of each sphere, but pumping in the same direction as a symbol of human intellect."


2015-07-02

CONTACT: Augmented Acoustics

CONTACT: Augmented Acoustics by Felix Faire

"CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface.
Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software."

2015-06-29

Force.Line.Border

Douglas Nottingham, Joe Perez, and Robert Esler: Percussion

Black = Sound
White = Silence

"Force.Line.Border. is an animated graphic score for a trio of indeterminate instrumentation. This work is the latest in a series of animated graphic scores that builds on the concepts developed by John Cage, Morton Feldman, Cornelius Cardew, and Earle Brown for using abstract visual imagery to define musical events. The animated score is projected into the space and the musicians perform composed improvisations derived from their interpretation of the image. Each of the performers is responsible for one third of the frame as the piece gradually shifts between solo phrases and ensemble statements."

Contexts, viewpoints, visual axes
and changes of perspective

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Contexts, viewpoints, visual axes, and changes of perspective

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