Video Performance

FACELESS_VOICELESS - interactive audiovisual performance
by Klaus Obermaier

EMBODYMENTO. Architecture Mapping Dance Performance by KOTKI visuals

SPACES ALIVE #mecanica

by KOTKI visuals

RIMIYOHO @ FCT OAXACA

"Rimiyoho was invited by Culture & Technology Festival to perform at San Pablo Cultural Center in Oaxaca collaborating with dancer Javier Moreno, textile designer Itzel Gutierrez and Dj Jesús Pacheco to create an audiovisual experience for the festival opening. "

Homeless by vjsuave.com

SWEATSHOPPE Video Painting Europe

New media art duo SWEATSHOPPE aka Blake Shaw and Bruno Levy

"Video painting is a technology the duo developed that allows them to create the illusion that they are painting videos onto walls with electronic paint rollers they built. It works through custom software that they wrote that tracks the position of the paint rollers and projects video wherever they choose to paint, allowing them to explore the relationship between video, mark making and architecture and create live video collages in real time."

"I Don’t Remember Being Raised Like This" by The Symptoms performance collective.

Creator-performers: Réka Szabó, Emese Cuhorka, István Gőz, Dániel Szász
Light and space: Attila Szirtes
Costume: Edit Szűcs
Visual design, interactive technology: Gábor Karcis, Zsolt Korai, Gábor Papp
Video: Gáspár Hajdu, Zoltán Csík-Kovács, Attila Zérczi
Special thanks: Gábor Botond Barna, Bence Földesi, Dóra Furulyás

Sponsors in Hungary: Ministry of Human Resrouces, National Cultural Fund, Trafó House of Contemporary Arts, MU Theater, Jurányi Community Incubator House, SÍN Culture Center

BUNTES GOLD | Facade projection by URBANSCREEN.

"The audiovisual staging of Bremen’s chamber of trade is an artistic confrontation with the issue of creative industries. In direct reference to its premiere’s occasion, the “Day of Creative Industries”, the work reflects on the complex tension between creativity and economic actions.
While creativity is being embodied by four dancers, the building itself, a stony manifestation of Bremen’s hanseatic identity, represents the economy in this play.
In three acts, the dancers climb and conquer the building, spreading their visions and ideas on its façade – and at once meet its resistance. The chamber of trade comes to life and springs to action as an equal protagonist. "