Morning Dew by Giangrande ... and Gianluca Maruotti
album: Beehives of Resistance
directed and animated by: Gianluca Maruotti
post/edit: Gianluca Maruotti
"Nick Drake's Harvest Breed"
Performed by Roberto Angelini and Rodrigo D'Erasmo
Directed and animated by: Gianluca Maruotti
Post/edit: Gianluca Maruotti
Made with Dragonframe
Roberto Angelini: guitar and vocals
Rodrigo D'Erasmo: violin
Fabio Rondanini: percussions
Gabriele Lazzarotti: bass
Andrea Pesce: piano
Daniele “ilmafio” Tortora: rec&mix
A New View of the Moon by Alex Gorosh
"We took a telescope around the streets of Los Angeles to give strangers an up-close look at a familiar object; a new view of the moon."
Music: Clair de Lune by Claude Debussy
Telescope: 12" collapsible Dobsonian reflector
Eyepiece: Televue 13mm Ethos
Max Cooper - Order from Chaos - Official Video by Maxime Causeret
"I'm really excited about this video project, after the first live show it was the part that everyone was asking about - It is a beautiful humanised exploration of life and emergence, by Maxime Causeret. I hope you enjoy it as much as I do!
The idea for this part of the story started on a day when there was really heavy rain hitting the roof window at my old flat. I got out my binaural mics and put my head right up by the window with the big raindrops hitting all around. They made nice individual percussive noises, with great spatial positioning, so I decided to use them to seed a piece of music.
This track is the most explicit representation of the idea of emergence in the album, because the rhythm of the track is created by the raindrops in an emergent manner - I took the audio samples, mapped the transients for the raindrop hits, and then forced the mapped points towards the nearest drumming grid positions. This meant that the random raindrops were pushed into a quantised grid, and the result was that a percussive rhythm emerged, one that I hadn't created myself, but was the closest rhythm to that particular section of rain.…"
this art installation lets you poke, inflate, or add a disco ball to famous paintings by designboom
"neil mendoza is an artist exploring themes of the absurd, the humorous, the futile and the surreal. his work combines sculpture, electronics and software to bring inanimate objects and spaces to life."
DisInteGrated by Wade Robson and Tony Testa
"A mind-bending meditation of movement and sound, on letting go of what was and surrendering to what is.
Filmed in Maui, Hawaii
Directed, Choreographed & Edited By: Wade Robson and Tony Testa
Featuring: Tony Testa
Music composed, performed and produced by Zara McFarlane
Cinematography By: Wade Robson
Title Animation By: Laurence Muleh
Assistant to the Choreographers: Cody Bingham
Music Mix & Mastered By: Ed West
Colorist: Will Adashek
Re-Integrators: Amanda and Koa Robson
Featured Songs: Asunder, Disintegrated. Emotif, Grit, Receive, Nya"
WEAKNESS OF THE FLESH
"Concrete, when dry, cemented and stuck. The body, delicate. When the mind is pushed, the potential of the defense system is revealed. Blank canvases and raw environments. The complexities of human nature exposed. Depth of understanding to the natural course. Society's normality can’t enslave us. The mind pushes to the body. The mind pushes towards the weak flesh. A rebound effect that continues. This is a universal temptation that repeats through time."
Filmed in Los Angeles, USA
Directors: Kevin McGloughlin + Jacob Jonas
Choreographer: Jacob Jonas
Featuring: Emma Rosenzweig-Bock
Music & Sound Design: Max Cooper
Vocal: Samad Khan
Cinematographer & Color: Shaun Boyte
Animation & Edit: Kevin McGloughlin
Assistant Editor: Joy Isabella Brown
Jacob Jonas The Company
Executive Producer/Creative Director: Jacob Jonas
Producers: Jill Wilson, Emma Rosenzweig-Bock, Mathieu Wothke
Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker
Around the Block by Jonnie Lewis
"'Around the Block' is a passion project of mine that focuses on street artist David Zinn.
I began work on it through my own sense of creative frustration, with the loose idea being 'I want to go and make a film about a street artist'.
But when it came to editing it, it felt more apt for it to become an analogy for what it's like to be involved in the creative process that perhaps anyone in a creative industry can identify with.
Much like David finds inspiration in the cracks, streaks and specks on the pavement, I personally find that getting out and finding shots with a camera in my hand is far more fluid and inspiring than sitting at home and trying to come up with ideas.
The final piece is no longer a film specifically about street art, but a study of the process involved in making ideas come to life - told through a tour of David's world alongside the characters that live within it.
If nothing else, hopefully it encourages someone else to go out and create something just... because."